By Motoko Tanaka (auth.)
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Extra info for Apocalypse in Contemporary Japanese Science Fiction
For example, Jean-François Lyotard’s famous declaration of postmodernism as “incredulity toward meta-narratives” includes the argument that modern progressivism has ended. 29 The social norms and ideals of human rationality, political ideologies of modern nation-states, and productivity have become invalid in the postmodern world. The modern apocalypse of progressivism has been sentenced to death, yet apocalypse as a form lives on; principle elements in the traditional apocalypse narrative are again incorporated into the postmodern apocalypse.
However, apocalyptic ideology came to be understood as a form of fictional narrative; indeed, it seemed to disappear into the world of fiction, where it has flourished since the nineteenth century. It appeared to have lost much of its former influence in the fully modernized real world. In the twentieth century, however, positivism and progressivism came to be seriously challenged; people realized that “progress” brought material, but not spiritual, improvement to their lives. With constant progress came pollution, ethnic and racial discrimination, colonialism, and world wars.
Some of this money is entirely virtual, including the Bitcoin, a cryptocurrency that can be transmitted by smartphone— without the need for an intermediary financial institution—and used for trade in the real world. 35 In any such economic activity, the substance of an individual is information existing in cyberspace. Reality is also formed in this cyberspace; most human activities—cultures of music and videos, social, political and economical transactions—now exist in cyberspace as well as, or even instead of, in the real world.
Apocalypse in Contemporary Japanese Science Fiction by Motoko Tanaka (auth.)