By Sean Cullen, Matthew Geller, Charles Roberts, Adam Wilt
If it really is more than enough for the mythical Hollywood movie editors, it really is more than enough for you! This advisor is aimed squarely at ultimate minimize seasoned clients similar to your self - at company, advertisement, and self reliant post-production homes - who are looking to stream past uncomplicated ultimate reduce seasoned installations for his or her movie and video masterworks. via project-based classes and step by step directions, this self-paced consultant indicates you ways to combine high-end trap playing cards, garage structures, and different industry-standard right into a ultimate lower professional workflow, in addition to tips on how to set up and configure ultimate reduce professional to utilize your specialist non-linear modifying approach. this can be the technical details most often asked by means of ultimate minimize seasoned clients, pulled jointly into one e-book that's either a self-paced studying software and the reputable curriculum for the Apple professional education and Certification software. The consultant covers every little thing from process configuration, garage, and gadget connectivity to the intricacies of SAN suggestions, and contains designated sections on optimizing short-form/broadcast workflows and long-form/HD workflows. It bargains troubleshooting suggestion at each flip: for dropped frames, mismatched audio and audio distortion; imported image dossier concerns, media administration, dossier restoration and archiving ideas, and lots more and plenty extra. DVD with lesson documents and media integrated.
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Additional info for Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to Real-World Post-Production
If you need to color correct every shot, and you have estimated that your color corrections take, on average, 1 hour per edited minute, then your projection needs to allow for 8 hours of color correcting and extra time for rendering. Plan to use your daytime hours for editing, and save rendering or exporting until you take a lunch break or until after you have finished for the day. The Magic Hour offline workflow planning involved an extra time allotment for syncing DAT tapes. During the planning stage, this preparation allowed the editor to realistically identify a start date for creative editing.
The video of the closed hand matches the audio peak of the clap, allowing you to use the clap as a visual and audible reference. [View full size image] 30 Using Final Cut Pro in Real World Workflows Using Final Cut Pro in Real World Workflows 31 Capture Codec Codec is an acronym for compression decompression. Basically a codec is an extension that QuickTime can read allowing Final Cut Pro to work with different formats of digital video. You'll need to consider source tape format, workflow, capture card, storage medium, and storage size to decide on a picture codec.
It's common to have multiple identical FireWire drives as the backbone of a small editing project. The media is captured to one drive and then copied to all the other drives. Replicate all media file structures and their locations on the drives so that you can avoid reconnecting media files whenever projects are moved between machines. This allows you to transfer a project between machines without having to transfer the media each time. • Xserve RAID An Xserve RAID is an excellent storage medium for single-editor online or offline projects.
Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to Real-World Post-Production by Sean Cullen, Matthew Geller, Charles Roberts, Adam Wilt