By Peter W. Atkins
The writer of The construction returns to take a clean examine the nice questions of our lifestyles and to take on the unapproachable with an organization trust that a necessary simplicity underlies the obvious complexity of all life. "Essential interpreting for non-scientists who yearn to head the place physics borders the ultimate."--Washington put up publication international.
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Extra resources for Creation Revisited: The Origin of Space, Time and the Universe
Britain. He confidently called this vision ‘The British Dream’. Such use of dreams politically speaks simultaneously to personal experience (of wishing for a better future) and to the social experience of injustice and inequality (and, therefore, wishing for a better future). Michael Howard is far from the only person to have used the rhetoric of dreams like this. Most famously, perhaps, Martin Luther King dreamt of a better future: Go back to Mississippi, go back to Alabama, go back to South Carolina, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that somehow this situation can and will be changed.
In Paris, for example, the crowds, the streets, fashion, walking, journalism, detective stories, world fairs, offices, interior decorating, commodities, old photographs, and the like, created a variety of phantasmagoric experiences. Not only was the real life of cities, such as Paris, phantasmagoric, Benjamin suspected that modernity itself was phantasmagoric: The world dominated by its phantasmagorias – this, to make use of Baudelaire’s term, is ‘modernity’. That is, images of modernness and progress have turned the city, and even history itself, into a phantasmagoria.
Dreams are personal, an arbitrary collection of irrational, absurd, puzzling, purposeless, evanescent impressions. On the other hand, cities are collective enterprises, founded in conscious, rational, intentional, purposive, durable, reflexive, practical activity. It is not just that cities are not like dreams, but that they are the products of entirely separate worlds: one sleeping, one waking. The important thing is not to jump too quickly to the conclusion, as Kublai Khan does, that dreams and cities belong to separate worlds.
Creation Revisited: The Origin of Space, Time and the Universe by Peter W. Atkins